Georgia O’Keeffe at Tate Modern
Beyond the flowers
Like most people who’ve encountered O’Keeffe’s art its the flowers and sound based abstracts that stick in the mind. So it was great to see such a broad cross section of all her work from the bones to early charcoal work. And a visit to Tate Modern is always enjoyable.
In particular the New York landscapes were new to me and I liked the mix of views and times of day used. Having lived in a tower block in a city the high viewpoint of the city at night really struck a chord.
Stieglitz and photographs
Alfred Stieglitz’s photographs featured throughout the exhibition. This included personal photos, landscapes, the well known images of O’Keeffe. The photos added context to O’Keeffe’s life and works but also her relationship with someone who had a creative life in their own right. Seeing Stieglitz’s photos with O’Keeffe’s painting of the same viewpoint was really interesting. Not least because he used daylight whereas she had painted a night scene.
There was little in the way of ephemera in the exhibition but books and copies of Stieglitz’s journal Camera Club were on view. Also exhibited were some examples of his series of cloudscapes from the Equivalent series.
Better known now is Ansel Adams and his work appeared too. He travelled with O’Keeffe and shared a love of landscapes. I found it interesting seeing his large, very clear and more contemporary looking images compared to some of Stieglitz’s smaller and darker prints.