Terence Donovan retrospective in Soho
This 2016 exhibition is spread over two floors of the Photographers’ Gallery in London. My interest in Donovan’s work comes from his taking fashion out of the studio and into his East End. That’s not to say there isn’t plenty of conventional fashion shots in the exhibition.
The exhibition includes studio, outdoor work, portraits and video. Something that really comes out is how Donovan was very much a man of his time whether commissions from Town magazine, photographing a young Julie Christie, musicians’Â portraits in the 1990s or directing pop videos.
Seeing his studio day bookss give a reminder that he was earning a living from his work. The more bread and butter commissions recorded for Woman’s Own are a good example of this.
What made Donovan different?
One of a trio of working class photographers in the 1960s Donovan does stand out (David Bailey and Brian Duffy were the other two). I see him as different because he used photojournalism techniques with fashion. Whether on East End streets, power stations or shooting through a car window he took fashion photography out of the studio and safe landscape.
This technique is maybe taken too far though in his Spy series of photographs for Town magazine. Or perhaps time simply has made them lose the innovative look they had when published.
There’s an exhibition catalogue for anyone who missed the show.
